![]() Common Color Correction ToolsĬolor-grading might be an art, but it is an art that relies heavily on science and computer programming. Fortunately, interface designers who work in professional video software usually provide useful visual feedback to let you know if the brightness-adjustment tool you are using will influence your saturation. The distinction between these terms can be important. ![]() However, they each refer to a different scale and have different relationships with saturation and contrast. Value / Lightness / Brightness / Luma The terms value, luminance, lightness, and brightness all deal with how bright or dark a color is. A color image can be converted to a black-and-white image by reducing its saturation to 0. Saturation varies between there being no color in an image and a pure color. Saturation, in a basic sense, refers to how colorful a color is. When most people speak of a color like red or green, they are speaking about its hue.Ī hue scale isolated from saturation or brightness Hue refers to the “pure color” of a color without referring to how vivid, bright, or dark it is. Fortunately, this language is fairly consistent across most programs. If you are new to color correction, then before diving into the tools for the first time it’s a good idea to be familiar with the vocabulary of video color. If you are already familiar with the vocabulary of video color, you might want to skip to the next section. Fortunately, if you know what you are doing, color-grading is usually a fun and expressive process. It’s not uncommon for video editors to be called upon to balance the color of a scene, if not completely grade the video, as well. With access to these powerful color-grading tools, video editors are often expected to know how to use them. This convergence of software has led to a blurring of the line between the roles of video editors and colorists. Video editors can change the entire mood of a scene or just the color of a single object in the frame without even rendering their timeline.ĭon’t forget, I promised bad news, too. With the powerful and precise control these tools offer, you can make day look like night, turn a warm sunset into cool dusk, or turn a red car blue. ![]() This convergence of NLE and color-grading software means that regardless of the program you choose to edit your video, this an exciting time to work in post production. Perhaps as a response to this competition, the developers of dedicated color-grading and VFX software like Davinci Resolve, Nuke, and Scratch have introduced non-linear editing tools into their software. Over the last decade, the makers of non-linear editing software have strengthened the color-grading abilities of their software to the point where they now rival dedicated color-grading software in control and ability. Never before have video editors had such an extensive set of color-correction and color-grading tools available at their fingertips. ![]() If you are a video editor or are looking to get into video editing, I have both good news and bad news. ![]()
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